Caméra-stylo Sydney Literature & Cinema Network

Auteur Series No. 1: The Complete Works of David Lynch
Hamnet : The rest is silence
The opening and closing images of a film are rarely arbitrary. They are among the most concentrated sites of cinematic meaning. The first image establishes a world, a rhythm, a vocabulary. The final image returns us to that vocabulary and tells us how to understand what we have seen. If the opening scene proposes a way of seeing, the closing scene confirms, complicates, or transforms it. In this sense, the beginning and end of a film are not just bookends to the narrative — not just the ‘once upon a time’, and ‘happily ever after’ — but often point to the film’s deepest thematic designs.
Listen to the Network's discussion about the Oscars 2026 at our recent meeting
Read : Alexander Howard's article in The conversation on All the President's Men
Listen to the Interview with Alexander on Radio New Zealand

Publications, Conversations & Blogs
Latest BLOGs
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The rest is silence: Grief, Image, and Collective Feeling in Hamnet -
Sydney Film Festival Reviews -
Taxi Driver at 50: Martin Scorsese’s film remains a troubling reflection of our times -
Nightlife History - 100th Anniversary of the Film, Battleship Potemkin -
Battleship Potemkin at 100: how the Soviet film redrew the boundaries of cinema -
The Best Films of 2025 -
Cinema’s most notorious film: Pier Paolo Pasolini’s Salò turns 50 -
Our Top 5 Films from the 1970s
Network Publications
Time in Worlds Within Worlds Within Worlds: Experiencing Proper Time Via David Lynch’s Inland Empire
The Film is the Talking: The Paradox of Analyzing David Lynch
Saint David
Camera-stylo's Cinema and Literature Network consists of academics, students and industry professionals
If you wish to join the network, please specify your related institution or university and any notable prior publications
Cinégraphia
The journal publishes scholarly articles, interviews, reviews, and video essays. Our common goals include enhancing text and media-based studies of cinema, literature, digital media, audio, and other forms by emphasising relationality and intersectionality, bringing together diverse forms of research investigation and production, exploring intermedial possibilities across audio-visual forms, creating dialogues with textual artefacts, and illuminating aesthetic and political entanglements and co-dependencies, as they emerge between literary and visual cultures.
Explore Caméra-stylo 6
The Entanglement: Networks, Intersections, Polyphonies, and Intertextuality in Literature and Cinema
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