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Caméra-stylo Sydney Literature & Cinema Network

Auteur Series No. 1: The Complete Works of David Lynch

This inaugural edition of Caméra-Stylo’s Auteur Series section presents a complete view of David Lynch, which is, of course, an impossible perspective to wholly achieve but one that is eminently worthwhile to pursue.


Hamnet : The rest is silence

The opening and closing images of a film are rarely arbitrary. They are among the most concentrated sites of cinematic meaning.  The first image establishes a world, a rhythm, a vocabulary.  The final image returns us to that vocabulary and tells us how to understand what we have seen. If the opening scene proposes a way of seeing, the closing scene confirms, complicates, or transforms it. In this sense, the beginning and end of a film are not just bookends to the narrative — not just the ‘once upon a time’, and ‘happily ever after’ — but often point to the film’s deepest thematic designs.


Listen to the Network's discussion about the Oscars 2026 at our recent meeting


Read : Alexander Howard's article in The conversation on All the President's Men

Published: April 7, 2026

Listen to the Interview with Alexander on Radio New Zealand


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Max Romanowski | 2026
This is the paradox at the heart of any retrospective about Lynch and his work. How can scholars seek to understand this creator of strange and impenetrable cinema when, at the prompting of that filmmaker, those films are meant to speak visually and on their own terms?
Zachary Sheldon | 2026
David Lynch is gone. But David Lynch is also all around me, basically every day. I am confident in saying that I cannot be alone in feeling like it is impossible to get away from him—not that I want to, to be clear.

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Life and Art are
entangled
...
Art makes life
new

Journal of Literature, Film, and Other Media

Cinégraphia

The journal publishes scholarly articles, interviews, reviews, and video essays. Our common goals include enhancing text and media-based studies of cinema, literature, digital media, audio, and other forms by emphasising relationality and intersectionality, bringing together diverse forms of research investigation and production, exploring intermedial possibilities across audio-visual forms, creating dialogues with textual artefacts, and illuminating aesthetic and political entanglements and co-dependencies, as they emerge between literary and visual cultures.

Conference

Explore Caméra-stylo 6

The Entanglement: Networks, Intersections, Polyphonies, and Intertextuality in Literature and Cinema

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